在八一建军节，送给曾经的战士，最好的礼物是这个

恰逢建军节，再次读一读刘也涵老师的红卫兵残贴壶，感受更胜往昔。

It's the army day. Read Liu Yehan's Red Guard pot again. I feel better than ever.

一直以来，军人给人的印象是铁血硬汉，醉卧沙场君莫笑，古来征战几人回，是军人的洒脱；但使龙城飞将在，不教胡马度阴山，是军人的豪迈。

For a long time, soldiers give the impression that they are hard-blooded men who lie drunk on the battlefield and don't laugh. In ancient times, it is a soldier's free and easy to fight a few people back. However, it is a soldier's bravery to keep the Dragon City Flying general there and not teach Hu Ma to ride the Yinshan Mountain.

“我在这里吃雪，正是为了我们祖国的人民不吃雪。他们可以坐在挺豁亮的屋子里，泡上一壶茶，守住个小火炉子，想吃点什么，就做点什么。”这段魏巍笔下的军人形象，从中我们又读到了英雄儿女可爱的的一面。

"I eat snow here just for the people of our motherland not to eat snow. They can sit in a bright room, make a pot of tea, keep a small stove, and do whatever they want. " This section of Wei Wei's military image, from which we read the lovely side of heroic children.

刘也涵老师的红卫兵画，同样如此。只不过他以女兵天生的柔弱线条，描绘着英雄儿女可爱的样子，这样的描述，似乎又有了不一样的韵味。而这样的时代缩影，也成了刘也涵老师一辈子的记忆。

The same is true of Liu Yehan's painting of red guards. However, he depicts the lovely appearance of heroes and children with the soft lines of female soldiers, which seems to have a different charm. And such an epitome of the times has become the memory of Teacher Liu Yehan all his life.

在这幅可爱的画面中，我仿佛看到一个花样年华的少女，她出生在上世纪七十年代，也许是六十年代，十八年后，亭亭玉立，响应国家号召，上山下乡成了知青。秀气的外表，知书达理的举止，让她很快获得了乡亲们的认同。她喜欢军装，不爱红妆，这样英姿飒爽的着装，她觉得才是她这一代人该有的风采，一边端详着自己，一边憧憬着未来，有爱情，也有革命事业。纯朴的民风，连带着牛羊也长着一双清澈的眼睛，干净地一尘不染，这些平常的事物，和旗帜鲜明的女兵，是那个时代最大的风景。

In this lovely picture, I seem to see a young girl in love. She was born in the 1970s, perhaps in the 1960s. Eighteen years later, she stood tall and graceful, responding to the call of the country, and went to the countryside to become an educated youth. With her delicate appearance and knowledgeable manner, she soon won the approval of the villagers. She likes military uniform rather than red makeup. She thinks that this kind of heroic dress is the style of her generation. She looks at herself and looks forward to the future. She has love and revolutionary cause. Simple folk customs, together with cattle and sheep, also have a pair of clear eyes, clean and spotless. These ordinary things, and the clear-cut female soldiers, are the biggest scenery of that era.

火红，是一代军人的色彩，是一代人浓烈的记忆。刘也涵以白泥为纸，述说一代女兵的色彩，她们身着绿装，扎着马尾，束着牛皮腰带，一身干练的作风，毫无羁绊地挥洒青春，干着轰轰烈烈的革命事业，那份自然而然散发而出的激情，像火一样红。刘也涵说，她们在这里不仅留下了青春，也带走了一代人的青春，她们在这里流血流泪，更留下了一个个生动的故事。

Fiery red is the color of a generation of soldiers and a strong memory of a generation. Liu Yehan described the color of a generation of female soldiers with white mud as paper. They were dressed in green, tied up with horse tails and cowhide belts. They were able to do their youth without restraint. They were engaged in the vigorous revolutionary cause. Their natural passion was as red as fire. Liu Yehan said that they not only left their youth here, but also took away the youth of a generation. They shed blood and shed tears here, leaving vivid stories.

刘也涵在学画的时候，曾经对自己说过，如果将来学有所成，第一个想画的便是女红卫兵，因为这是他的青春，他的火红年代。曾经的少年已成中年，曾经的时光也变成了一组组画面，这样的作品，深情而刻骨铭心，感人肺腑动人心魄。

When learning painting, Liu Yehan once said to himself that if he had learned something in the future, the first person who wanted to paint would be the female red guards, because this was his youth and his flourishing age. Once the youth has become middle-aged, once the time has become a group of pictures, such works, affectionate and unforgettable, touching.