玩音乐的李映禄，如何成为了紫陶大师？

你是否看到过一双手，玩音乐，也玩泥巴

Have you ever seen hands playing music and mud

你是否听说过一个人，能跃放，也够沉静

Have you ever heard of a person who can jump and be quiet

到底是手工技艺与个性音乐的动静契合

In the end, it is the combination of handcraft and personalized music

还是技艺传承人的信念使然

Or is it the belief of the inheritors

我们今天就来见识这位与众不同的建水老匠人——李映禄

Today we come to see the unique Jianshui old craftsman Li yinglu

出生于制陶世家的李映禄，自13岁便开始学习制陶

Li yinglu, born in a pottery family, began to learn pottery at the age of 13

人生若以这样的契机为开端,似乎也能看到一种类似水到渠成的安定

If life starts with such an opportunity, it seems that we can also see a kind of stability which is similar to that of natural

可生活有时就是会出现一些反转

But sometimes life just turns around

兴趣会将人的本领无限放大

Interest will enlarge people's ability

他曾经走街串巷去帮别人修音响

He used to go from street to street to help others fix their stereo

还报读了“电子学自动控制系统”专业

Also read the "electronics automatic control system" major

做了很多与制陶不相干的事情

They have done a lot of things that have nothing to do with pottery

但年少时的梦想总是无比耀亮

But when I was young, my dream was always brilliant

音乐就成了点亮他内心最耀眼的光

Music became the most dazzling light in his heart

弹吉他 ，打架子鼓，组乐队

Play the guitar, play the drum, form a band

年轻时的他很潮，也很酷

When he was young, he was fashionable and cool

艺术家与匠人身上好像有着不谋而合的气息

There seems to be a coincidence between artists and craftsmen

两种身份都具有坚持重复地做一些事情

Both identities have to insist on doing something repeatedly

并努力做到极致的能力

And strive to achieve the ultimate ability

对于制陶世家来看

世代的手艺不能没有传承

31岁的李映禄开始沉下心来做陶

将他之于音乐的专注倾注到了陶上

不忘初心，慢慢回归匠人本质

每次制陶他都会选择夜深人静时

与寂静相处，成全他的心无旁骛

为呈现每个作品的最大价值，他的作品以壶与杯为主

专注与投入是对此最好的解释

如果将热爱带进工作，就发现很多惊喜和启迪

取最高质的泥料为原料

对每款壶的瑕疵零容忍

兼顾器物的实用和美学

以至于出自于他手上的每一把壶，每一个杯

都细如膏脂、温润美致

这样的器物用户体验很强

泡茶的壶，喝水的杯都成了工艺的媒介

让制陶人与用陶人从情感上达到了共知

能将天赋付诸传承

将乐趣交付于梦想

将匠心发挥到极致

大师之所以能成为大师

也不是没有理由的

李映禄

工艺美术师，陶瓷高级工，中国工艺美术协会会员，云南省工艺美术行业协会会员，建水县政协特聘艺术家委员会委员，建水县紫陶协会会员。

图为李映禄夫妇